She is from United States. Oh dear - another soprano I want to marry when I grow up. This time, her stage partner was Supreme Court Justice, Ruth Bader Ginsburg. [42] In November, she was brought in for nearly back to back performances of Rigoletto and Die Entfhrung aus dem Serail with the Bavarian State Opera due to cancellations. [123] In November, she returned to the Royal Opera House to debut in Richard Jones' Alcina. She then went to Barcelona to perform in Rodelinda. Mark Kanny, "Agile singing, clever staging, comedy keep 'Seraglio' on Track", Louisiana State University School of Music, Metropolitan Opera National Council Auditions, International Mozarteum Foundation (Mozartwoche), "The Exclusive Opera Lively Interview with Lisette Oropesa", "Lisette Oropesa: Born, Raised And Thriving In World Of Opera; Soprano Returns 'Home' To Met For Verdi's 'Rigoletto' and Wagner's 'Siegfried' [Exclusive Interview]", "A 'Figaro' With Youth, Agility and Eros", "Puccini and Operetta? She once again returned to the Los Angeles Opera to perform her signature role as Gilda in Rigoletto, "Her Caro nome was a veritable how-to manual on holding an audience enraptured". La Traviata REVIEW: Lisette Oropesa breathes new life into Verdi's most popular. Her pianissimo, crescendo and decrescendo were breathtaking. Her performance was "Without a doubt she is one of the finest, most complete Violettas to grace this staging in its almost 30 year history. [37][38] She returned home to New Orleans to be acclaimed as Susanna. Ive been very open about that.. We no longer publish biographies for all performers who have historically appeared on our . [31], Opera engagements included Nannetta at the Dutch National Opera;[32] Gilda at Grand Thtre de Genve;[33] and Konstanze at the Bavarian State Opera. Oropesa is a vegan, and avid runner/marathoner who has been featured in Runner's World Magazine. In December 2011, she created the role of Miranda in the Met's baroque pastiche, The Enchanted Island, singing opposite Plcido Domingo, and conducted by William Christie. Violetta has sacrificed everything for love. Lisette Oropesa is the production's Norina. [58] She then went on to debut at the Royal Opera House in the title role of Lucia di Lammermoor. Oropesa was a grand finals winner of the National Council Grand Finals at the Metropolitan Opera in 2005 and joined the Met's Lindemann Young Artists Development Program, from which she graduated in 2008. Find The Three Sopranos stock photos and editorial news pictures from Getty Images. [41] She went onto another extremely successful debut in La traviata at the Philadelphia Opera "Oropesa manifested secure technical chopstrills, staccati, pinpoint dynamics andmost impressivelya long, sustained line that allowed her to hold the audience breathless in both "Dite alla giovine" and the party scene ensembles". [117] in August, Lisette returned to the Arena di Verona to perform as "La traviata" and sing a concert of "Carmina Burana" where she was in "Full control of her instrument". [66] Lisette then went to the Teatro Real in Madrid to perform in Lucia di Lammermoor where she received "enormous" standing ovations for her interpretation of the role. She went onto another extremely successful debut in La traviata at the Philadelphia Opera "Oropesa manifested secure technical chopstrills, staccati, pinpoint dynamics andmost impressivelya long, sustained line that allowed her to hold the audience breathless in both Dite alla giovine and the party scene ensembles". In December 2011, she created the role of Miranda in the Met's baroque pastiche, The Enchanted Island, singing opposite Plcido Domingo, and conducted by William Christie. The soprano has appeared with the Welsh National Opera as Konstanze in Die Entfhrung aus dem Serail; with the Deutsche Oper am Rhein in Il turco in Italia; at the Tanglewood Music Festival as Konstanze; at the Ravinia Festival as Susanna in The Marriage of Figaro, conducted by James Conlon; for Opera New Jersey as Lucia in Lucia di Lammermoor; at Arizona Opera as Gilda in Rigoletto, again as Lucia; and at the New Orleans Opera as Gilda and as Lela in Les pcheurs de perles. In November, she was brought in for nearly back to back performances of Rigoletto and Die Entfhrung aus dem Serail with the Bavarian State Opera due to cancellations. But her mother chimed in again, suggesting she audition for voice because opera combined all the things she loved: music, languages, acting and being on stage. Still, the role that brought her back to the MetManondid come as a surprise. ucla environmental science graduate program; four elements to the doctrinal space superiority construct; woburn police scanner live. As substitute, she sang her first leading role at the Metropolitan Opera, appearing as Susanna in five performances of Sir Jonathan Miller's production of The Marriage of Figaro opposite Erwin Schrott's Figaro in October 2007, which was regarded as a great success. The end of the 201213 season culminated with her singing as Gilda in Rigoletto and as the Waldvogel in Siegfried where she was well received in both productions: "Her pure, smooth soprano and alert presence were both endearing"[10] "including the bright yellow Forest Bird, beautifully sung from offstage by Lisette Oropesa. She "sang with a high-class, diamantine soprano that never loses its quality". Were cold because were sweaty. The day after her final performance of Les Huguenots, she premiered another new role of Adina in L'elisir d'amore with a "Timbre ardent, projection homogne sur toute la tessiture, vocalises agiles, aigus scintillants." I guess I told you that already. In 2008, Oropesa reconnected with her high school boyfriend Steven Harris on Facebook. [67][68] During the summer, she debuted at the Rossini Opera Festival in Rossini's Adina which was also a role debut for her. "[27] She was also called in as a last minute replacement for Nannetta in San Francisco Opera's Falstaff. Star soprano Lisette Oropesa was surprised when an audience member joined her in an encore. She is particularly noted in the roles of Susanna, Gilda, Konstanze, Lucia and Manon. 8 with Yannick Nzet-Sguin and the Philadelphia Orchestra. "Lucia is her first Royal Opera role, and the Cuban-American soprano is sensationally good." This page was last edited on 28 February 2023, at 17:43. Would love your thoughts, please comment. [80][81] She then returned to the United States to perform in Don Pasquale with the Pittsburgh Opera to great acclaim, having a voice "So sublimely expressive that they stand out like a Michelangelo fresco in a black and white film. The end of the 2012-13 season culminated with her singing as Gilda in Rigoletto and as the Waldvogel in Siegfried where she was well received in both productions: "Her pure, smooth soprano and alert presence were both endearing" "including the bright yellow Forest Bird, beautifully sung from offstage by Lisette Oropesa.". "[24] "Her aria 'Ach, ich fhl's', sung as she believes Tamino no longer loves her, was genuinely moving "[25], That summer resulted in Oropesa's continued operatic triumphs as Susanna in The Marriage of Figaro at the Santa Fe Opera: "Nothing in the evening surpassed her rendition of "Deh vieni, non tardar" in act 4, in which she spun strands of magic in the evening air" noted critic James Keller. The pages about our artists, creatives and staff are regularly updated. There are so many career paths, and mine has been slow and steady, Oropesa says. And yet, with "her" Ophlie, she offers a voice and theatrical character that is overwhelming with love, despair, ingenuity and authenticity as it is rare to see and hear. Lisette Oropesa Inc. Jan 2010 - Present13 years 1 month Handled all press and media relations (press releases, bio, imaging, graphics design, videography) Developed web presence and social. "[82] In June, Lisette made her debut at the Teatro alla Scala in a new production of I masnadieri with an "Excellent debut for someone who has long been a guarantee throughout the world" [83] In November, Lisette returned to the Washington Concert Opera to perform Hamlet where she "melded dramatic sensitivity with a clean, pearly soprano. Award for Best Female Singer, Oper! With solid high notes, accurate coloratura and an endless supply of golden-age trills (I stopped counting after five), this endearing artist ran a vocal marathon that might have paralleled the physical feat she was preparing to run in Pittsburgh Marathon the next morning". Her parents were of Cuban origin, and her mother was a music teacher and operatic soprano. Lisette Oropesa has performed in some of Europe's most renowned opera houses, but today's she nervous. Lisette Oropesa is one of the most in-demand lyric coloraturas today, who performs leading roles regularly at the most important opera houses around the world. She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. I actually didnt like choir. [93] At the Teatro alla Scala she was slated to open the season on December 7 in Lucia di Lammermoor, but the performances were canceled due to lockdowns in Italy. [63] Next, she performed in a new production of Orfeo ed Euridice by John Neumeier and the Joffrey Ballet at the Los Angeles Opera. Lisette Oropesa"" . A review wrote, "Oropesa is a charming Susanna. ", In 2013, the soprano sang the role of Pamina in The Magic Flute at Florida Grand Opera and reviews were universally positive, as noted in several: "Oropesa was beyond fantastic in her portrayal of Pamina." Verdi: La Traviata. 2021 - Theodora. [55] She was reported to have received a standing ovation for her interpretation. According to Lorenzo De Vecchi, she sung "Marten aller Arten" with "incisive accents and passionate acting". [46] Her next concert was in Cincinnati with James Conlon in his last season with the Cincinnati May Festival. Lisette Oropesa is quoted today as saying that overweight women cannot get cast these days in bel canto roles. [1] She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. 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[105] In December, she returned to Spain to perform two Zarzuela recitals,[106] for which she was greatly rewarded by the press quoting "Without a doubt, one of the best we have heard live or on record" [107], At the start of 2022, Lisette debuted her first Bellini role, I Capuleti e i Montecchi, at the Teatro alla Scala. 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"Oropesa made this notable role her very own, deftly and intelligently adapting to every negative plot twist with a fine sense of theater and with a bright, sunny soprano". But the most sublime moment ever was when I got married to my love, Steven. In May 2011, she sang the part of the god Amor in Mark Morris's production of Orfeo ed Euridice. She was lauded for her performances with "sylistic mastery", "technique without weaknesses", and "spectacular coloratura." Lisette Oropesa pre-concert with the Concertgebouw in Amsterdam. While she was singing her fourth encore of the night, the song Sempre Libera from La Traviata should have had a tenor role, but there was no tenor on stage (. After the concert, he was presented with an opportunity to join the star in an impromptu duet, unbeknownst to everyone . . [9] She also sang the role of the Rhinemaiden, Woglinde, in the Met's 2009 Der Ring des Nibelungen, and additionally sang the off-stage role of the Woodbird in Siegfried. Big breaks can happen at any timeeven during a live performance. Lisette Oropesa's income source is mostly from being a successful . She was regarded as a "World class Konstanze" by the Kurier. Tweet on Twitter. You have permission to edit this article. Lisette Oropesa sings Eurydice in Los Angeles Opera's French version of Gluck's Orpheus and Eurydice that can currently be seen at the Dorothy Chandler Pavilion. "[110] Lisette then had an anticipated [111] return to the Teatro Real to perform an all French language concert with many of the pieces being from an upcoming album. Lisette will be back to sing it for you after the break. [94] She was invited to perform for the opening of La Scala on December 7 in "A riveder le stelle" [95] where she performed "Regnava nel silenzio" from Lucia di Lammermoor in the original key wearing a Giorgio Armani Priv gown. ' Alcina mastery '', `` technique without weaknesses '', `` technique without weaknesses '', mine! 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